2022 Workshop | Neon Dreams, So Hard to Beat with Sarah Blood


Neon Dreams, So Hard to Beat Toledo Museum of Art Date: June 13-17th, 2022; Time: 9am-5pm Instructor: Sarah Blood Class Description: This one-week course will be an introduction to the aesthetic and conceptual possibilities of neon, by exploring traditional and experimental neon techniques students will develop the skills they need for planning, creating, and installing their own neon works. The course will focus on play, material exploration and personal expression. Group discussion and slides shows will cover historical and contemporary issues relevant to the practice and process of neon and its use as a medium for sculpture.

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Neon Dreams, So Hard to Beat
Toledo Museum of Art

Neon Bending
Date: June 13-17th, Time: 9am-5pm
Tuition: $950.oo members / $1,000.oo nonmembers
INSTRUCTOR: Sarah Blood
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Born in the United Kingdom, Sarah Blood is an artist, curator, and educator. She has enjoyed an active studio practice since 1999, exhibiting her work internationally alongside contemporary artists such as Bruce Nauman, Agnes Denes, Glenn Ligon, Sarah Lucas, and Tracy Emin.  
In her practice, Blood seeks to reveal moments that challenge our perception of permanence and vulnerability. Concerned with light and phenomenology, she plays with the relationship between materials, space, and the viewer. Light, predominantly neon, seeks a non-luminous counterpoint that brings conceptual, physical, and visual weight to the work, creating immersive experiences that speak to human existence and ideas. Blood is currently a tenured professor of Sculpture | Dimensional Studies at Alfred University. 
This one-week course will be an introduction to the aesthetic and conceptual possibilities of neon, by exploring traditional and experimental neon techniques students will develop the skills they need for planning, creating, and installing their own neon works. The course will focus on play, material exploration and personal expression. Group discussion and slides shows will cover historical and contemporary issues relevant to the practice and process of neon and its use as a medium for sculpture.
Additional Course Information
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